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Per una buona psicoanalisi dell’arte: Vygostskij e il Mosè di Freud

2012

The aim of this article is to show that Vygotskijan and Freudian positions on the psychological analysis of art move from a similar conception of art and of human mind. To demonstrate our thesis we have substantially used two works: Vygostkij’s Psychology of art and Freud’s Moses of Michelangelo. We consider that, in spite of the critic that Vygostkij makes against the psychoanalytic approach to the products of art, probably for historic reasons, the importance that he gives to the notion of form, of social context and of conscious factors in artistic creations is the same that Freud gives in his applied psychoanalysis, and this is clear in the essay on Moses. In particular, if we concentra…

Freud Vygotskij art evenly-suspended attention psychoanalysis of art form social context conscious factors catharsis.Settore M-FIL/05 - Filosofia E Teoria Dei Linguaggi
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